Thursday, January 8, 2015

News and Notes for 2015

Happy New Year, friends. I apologize that I have not written anything here for so long. It has been a really busy year for Re-Vinyl Records. 2014 was a busy first year with us releasing five records, all of which were a dream to do. It is still hard to believe that we managed to get Special 20, Mold the Gold, The One That Brought You and Daniel - all desert island records for us, released to vinyl in twelve months. Then we capped off the year with what many people think was the record of the year in Hallelujah the Hills. Insane.
There were bumps and delays. For the most part, everyone stuck with us and we appreciate it. As a thank you, we are offering a killer sale for the five releases from last year on our store page.
http://www.re-vinylrecords.com/record-store.html

2015 is going to be bigger and better. We are starting off by wrapping up pressing on Ghost Shirt's After the Spark and then moving on to a new release by Tim and Elizabeth Bracy, under the name The Paranoid Style. We also could not be more excited about being at the helm for the 20th Anniversary release of The Haynes Boys self titled release. This record has been remixed from the original tapes and is going to sound better than any previous iteration of the album has. But more on that later. Right now, we just wanted to say thank you. And to let you know that we feel the love. Keep shopping and keep listening. And here is a gem to start out your year from a songwriter that we love and respect more than you can imagine.

http://micahschnabel.bandcamp.com/track/more-drugs



Be well.
Re-Vinyl Records
The Owner tries to entertain. 

Thursday, July 17, 2014

When We Stopped Being a Label and Started Being Us- & Release Updates etc

I used to work at Apple. And when I did, it wasn't in some awesome breezy office space in Cupertino. It was in customer service. I actually really liked it. I liked the clarity of vision and purpose. I came to a point where I did not like the folks who took advantage of that clarity of vision and purpose. I started to get a little bit bent about people's expectations. So I quit. People could be real assholes.

As many of you have noticed, the Grand Champeen record has been delayed countless times. Some of those times it was mistakes on my end, some of those times it was mistakes on someone else's end. Here is the important thing for people to understand; we aren't Amazon. This is not a customer service organization. Think of Re-Vinyl Records less like a label and more like that dude in your office that is hitting Chipotle at lunch and offers to grab you a burrito while he is at it. These bands are people whose music I am so passionate about that I am willing to take what little extra money I have and put it into getting their incredible output slapped on vinyl. On my way over to the vinyl shop, I  am gonna be the guy who asks if anyone else wants it. I don't mind doin' that! Shit, I'm headed there anyway. But, I ain't calling you when I hit a string of red lights. You want that, download the app. DYI my friends. And if you get the burrito and you got pinto and not black beans, I am likely to give you your fiver back and a slap on the back and say "move on".
I do it for the bands, my friends and myself. I offer the pre-order because I like to think that we all are friends when it comes to music we love but get a little uppity about the beans in your burrito and next time I go to Chipotle, you aren't likely to be asked. This is a post-capitalist business model friends. It's damn near closer to a barter. So, hold onto your chonies. This much I promise- you will get your records sooner than you would've if I hadn't done it.
We approved tests strips and a master of The One That Brought You. We are now waiting to get the physical product to ship. That could be a few weeks because this is a really busy time for the pressing plants. But we will all have it. And fairly soon. Except of course for the dude with the wrong beans in his burrito. That guy's eating Nickelback for lunch.

Peace
Re-Vinyl Records

Wednesday, June 4, 2014

Re-Vinyl Records Welcomes Tim Easton's Special 20

I was sitting across from a colleague and former recording artist, bemoaning the state of the music industry. The two of us had little in common. He was a hip hop artist who had been on a major label and toured the world. I was a songwriter with two independently released records that had met to no recognition. Despite our collective differences, we both had similar frustrations with the business that seemed to dictate what people heard and how they heard it.

Over the course of an extended lunch, I began to think about what COULD be done to make music better. In my own version of think global and act local, I decided to start funding vinyl releases of what I considered to be the "best" records of my life. By the end of that week, I had created a dream list of what records I was desperate to own on vinyl that had never been released in that format. At the top of that list was a record that I considered to be the blueprint of the resurgence of Americana music in the 1990s. For every article that spoke of Minnesota's Jayhawks or Illinois' Uncle Tupelo, there was a singer songwriter who knew that Tim Easton and, in particular his classic record Special 20 had paved the way for hundreds to come.
I met Tim in 2002. He was supporting his latest record and was receiving a fair amount of attention for his collaborative record with the members of Wilco. I was able to convince Tim to come to Walla Walla and play a show for free in the outdoors. As the sun was setting on the small courtyard filled with townspeople, I saw Tim and his constant companion Gibson walking down an abandoned set of train tracks. Despite playing the harmonica harnessed to his neck, I could see that he was smiling.
" You know any swimming holes nearby?" he asked as he walked toward the makeshift stage.

I worked my way backward to Special 20. And when I reached it, I didn't realize the context that it was released in. As I look back now, it stuns me to think of what the world was listening to while a young Ohio troubadour was recording his masterpiece. When Special 20 was released, the airwaves were dominated by Candle in the Wind, Shania Twain and Third Eye Blind. It is hard to imagine a piece of work created in that environment so rich in all of the history and qualities that were lacking. It opened the door to songwriters that many in my generation had been cursed to have missed. Townes Van Zant, Guy Clark, John Prine and countless others seemed relevant to anyone who was lucky enough to stumble onto Special 20 in that year when it was released on Easton's own Heathen Records. For those being fed a steady diet of " I Don't Want to Wait" and "Gettin Jiggy Wit It", there was something of substance to be digested and to live on.

As good as the music was ...and is, the story was even better. Tim had recorded a record with Haynes Boys and then just tossed off Special 20 with a collection of Nashville session musicians while the band was in limbo. It mixed four track recordings with full studio rock numbers as effortlessly as it moved from acoustic guitars to fiery electric solos. And mixed in for good measure were mandolins, the sounds of gas cans and contributions by the legendary Al Perkins. Here was a kid from Akron, who wanted to be a rock star, going to the least rock and roll city in America (Nashville) and making a record with electric guitars, daubers, mandolins and everything else he could fit into the room. It was daring, audacious and genius.

Alas, Re-Vinyl Records has been fortunate enough to partner with that incredibly talented and audacious songwriter to bring to  his fans the record that started it all, Special 20. In celebration of the event, Tim is hand crafting 50 album covers to be sold in advance of the pressing. Tim has also graciously agreed to make two acoustic versions of Special 20 tracks available as a bonus for those who purchase the record. To bring the whole affair full circle, we will be releasing the record in the city that it was recorded in, Nashville Tn on the weekend that the city celebrates the genre that Special 20 helped to launch, the Americana Music Association Awards in September 2014.

You may have missed Special 20 when it came out fifteen long years ago. But that is exactly why Re-Vinyl Records exists,so you don't have to miss out again. Get your copy at our store now.

Wednesday, April 30, 2014

What Could Be Worth a Thirty Year Wait

In short, putting your arm around your hero toward the end of an epic three hour concert that included songs that are immeshed into the fabric of your life. Having my wife send me a text from Kentucky that says " on time departure. Take me to THE BOSS". Being surrounded by like minded people raising their hands to the heavens and wondering why it can't always be just like this.

On April 29th,  my wife and I put an end to one of the longest bad luck streaks in my musical history. We arrived at the BB&T Center at 3;15, having just grabbed her from the Ft Lauderdale airport. After some shuffling, we found the wristband location- we were lucky numbers 390 and 391. We mostly milled around the arena until the drawing- chatting to other fans and people watching. We hadn't seen each other in a week but we were both so absorbed in the environment that we didn't talk much.
It was nearly 6pm when we realized that our numbers - despite having better than 50% odds- would not gain us entrance to the pit. I started to think that my luck had not turned and that I was going to end up with a bad view and equally bad attitude. I shook it off and remembered the email advice that I had  gotten and we stayed put online.

When we finally gained entrance, I had shifted my focus to finding a spot where Dana would be comfortable. I think that the adrenaline had worn off and I had returned to being a worried husband who wanted his exhausted wife to be comfortable. My wife, in the mean time, muscled her way to the barricade and called me over. We stood with a family who had a luxury suite but wanted to experience the show from the floor as well.
The lights went down and Bruce Springsteen and the E Street Band took the stage. My head was on a swivel as I strained my eyes to see what some of these heroes of mine looked like in person. There was Max! Nils looks so nuts in that hat! Jesus, Jake Clemmons is a truck of a man. I was vibrating on the inside. It was at least thirty seconds before I realized that they were opening with a Clash cover. My vision shifted over to Tom Morello. I have seen Tom almost a dozen times over the years so seeing him alongside Bruce was like having a friend return from the dead and tell you what a kick ass card player God was.
When Badlands started, I remembered someone that day telling me they hoped that I would get it. We were five or six songs in before Bruce made his way to our side of the barricade. He was literally singing three feet from me and I have the pictures to prove it. Well, actually what my pictures prove is that I was shaking like a freak. Not a one came out well because I was alternately reaching out to The Boss and trying to snap pictures.  Over the course of the evening he spent more time in front of us and I did manage to get a grip on the man's arm and a smile. And my thoughtful wife got it all on film. I don't know why I give a shit about having touched him. Or having a record of it. But I wanted it.
There were too many highlights to name. I have included the setlist below. I just wanted to make sure that yesterday's post wasn't the final word on the subject. I saw something last night that I have never seen in my life. I saw thousands upon thousands of people crammed into tight spaces without a one complaining to another. I saw friends and strangers drinking alongside one another but not one shove, fight or cross word. I saw fifteen thousand people raise their hands to the sky at one man's behest. I don't typically think about human nature or, for that matter, how it could be better. But I did last night. I thought ' why can't we always act like this'. I guess it takes something that transcends ourselves- something that is bigger than our social anxiety, the shitty day we had at work, the way we feel about the traffic in town, our bosses, the kids, stress etc etc. to allow us to let all of that go and just commune. If you watch closely that sure seems like what the band does. The unfiltered joy that comes across from what they are doing and how they feel about it pours off the stage, through the pit and splashes around the thousands that have chosen to be a part of it. The folks who get it, who open their heart to it- those people are baptized by song. And, just like it says in those old books, baptism makes you pure. Daryl Brothers was right- the rock and roll gods do take care of their owns.
  1. (The Clash cover)
  2. (The Havalinas cover)
  3. (Tour premiere, solo acoustic, sign request)
  4. (World premiere)
  5. (John Lee Hooker cover) (Tour premiere)
  6. (Tour premiere, first time … more)
  7. (Sign request)
  8. ('78 intro)
  9. (W/ Tom Morello on shared vocals)
  10. Encore:
  11. (AC/DC cover)

Tuesday, April 29, 2014

Thirty Years Waitin on The Boss

My father was a police officer in the town of Fairfax, a suburb in Marin County. As I understand it, being a police officer was all that he ever wanted. For a family of West Texas poor folk, a city job and steady check, a house in Oak Manor and a young family was having the world by the tail. Fairfax and San Rafael were a bit sleepier then than they are now, which is to say that they were positively comatose. Aside from the occasional noise complaint from a young upstart band in the area ( that would go on to be known as the Grateful Dead) and a speeding ticket here and there,  it seemed like our relations may have been the cause of dad's workload most days. Uncle Jerry wrapped his car around a redwood doing over one hundred miles an hour, his wife leapt from the roof of the Jack Tarr hotel while on acid and the eldest foster brother had stolen the christmas tree from the local country club after promising my mom she would have the prettiest Christmas tree anyone ever saw.
That was all a life that I never knew. Dad was injured on the job before I was born and took an early retirement. He may have never recovered fully from not being able to be police. He still carries his badge in an oversized leather wallet. By the time my sister and I were born in 1970, we were Sonoma County people, living on the river. Dad made all the right decisions and worked hard- driving trucks up on the Alaskan pipeline, buying small lots of vacation property when he could. He started tending bar when I was about ten. By then, Julie and I felt pretty comfortable. We owned a campground on the river. Mom had a shiny new convertible. We were a million miles away from my dad's west Texas childhood, having birthday parties with a hundred guests and getting a new in-ground swimming pool built in the backyard. Dad seemed to have cash. It all seemed pretty under control. Mom never had to work although she would choose to begin political consulting around 1982 as Reagan's America was still in its honeymoon stage. That was the same year that my sister and I were taken from the local public school system and enrolled in a small private school in town.
Dad spent every night posted up behind the bar at the Trophy Room. The Trophy Room was owned by a low profile Greek real estate investor and had come to be second most popular dive bar in town, behind only The Wagon Wheel. In the early 80's, when the Hell's Angels were still a regular presence in town, The Trophy Room became their default chapter house. Rumor has it that Sonny Barger's private release party was held there. You would never know it from my dad. He never spoke of work and he didn't cotton to answering questions about anything. One morning dad walked out to breakfast and his face was swollen and bloodied. He said that the car trunk had closed on him. We were young but not so young as to believe that. I was a little scared for him but he seemed fine. Over the next few days, a parade of unsavory looking characters, bikers and former foster children of my parents arrived in town for an impromptu reunion of friends. I would learn twenty years later that it was no reunion. It was a reckoning. I still don't know why someone jumped my dad outside the Trophy Room. And I don't know who did. But I know that on that weekend, I would have rather been anyone else on earth.
The nature of dad's clientele sometimes had a trickle down benefit to my sister and I. Someone might have been a bit short on their tab but had a couple of tickets for the upcoming Johnny Cash show or passes for the MLB All Star game in Oakland. Dad shared these spoils with us all evenly but when it came to music tickets, it was his youngest son that he favored- I saw Johnny and June, Townes, George Jones, Willie Nelson, The Beach Boys, Hank Jr and others. The best part was that you never knew when you were going to catch one of these breaks. Dad would pull up to the front of school to pick us ip and say " you want to go see Johnny Cash tonight?" and off you went.
By 1985, Dad was living in a studio apartment in town and we weren't seeing him as much. I was just starting to really develop a taste for what I liked in music. I naturally gravitated to the new wave that most of the kids my age were listening to. Dad and mom had gotten me into the best boys school in town and those kids didn't care about Johnny Cash. They cared about Frankie Goes to Hollywood, General Public, The Thompson Twins, Bourgeois Tagg and in the most exclusive circles bands like X, REM were making noise. I needed to BE one of those kids, so that was what I was listening to. I didn't think that my dad noticed. But he must have. Because one day I met my mom after school to go home and my sister wasn't there. When I asked where she was, mom said " your father is taking her to see Bruce somebody" in Oakland tonight.
Bruce somebody. My sister-whom I love with every fiber of my soul- did not own a cassette tape. She did not listen to music. To this day, I think that her favorite song is Breakfast at Tiffany. I was appalled at the oversight by my dad and later began to wonder whether I had fallen out of favor. I waited up for Julie to get home that night. When she did, you could see in her eyes that something magical had happened. That was worth noting. But what was jaw dropping was to hear my father talk about the show. He showed the sort of deference to Bruce Springsteen that was normally reserved for the kind of tough guys that you see in movies- the one armed ditch digger who worked 10 hours a day to feed his family, the football player who finished a full game with a broken leg. D. Carver doesn't stand in awe. This is the same man who, upon meeting a young Elvis Presley told his brother " he is a nice kid but he ain't Jerry Lee". It takes a lot to turn his head. I knew that I had missed something epic.
Nearly 25 years later, I was all set to settle the score. I had tickets to see Bruce and the band in Ft Lauderdale. I had flown to Nashville the day before for a job interview but had ensured that I would make it back to town in plenty of time to make the show. As I sat in the Nashville airport reading, nodding off and waiting, I saw Bruce's picture on the airport television. I stood up and walked closer to the screen. Danny Federici had passed away. The E Street Band was no longer whole. From a selfish perspective, I realized that I was not going to have my day in Mecca as planned. Like all fans, I mourned his loss. Then, Bruce announced the make up date- for a day when I had to be in Kentucky for work. The Boss eluded me again.
When Bruce Springsteen and the E Street Band announced their tour dates for this year, the first thing I did was launch my ical to see what my schedule would be while he was in Ft Lauderdale. Turned out, I would not need to look at all. I knew instantly because it was the same weekend as the make up date had been years earlier and once again, I was going to be in Kentucky. I think that I resigned myself to not ever seeing my second favorite band of all time....ever. It stung but I am a lucky guy in so many other ways, I could live with it.
Then something awesome happened. I didn't have to go to Kentucky. I immediately went to look for a ticket and they were still selling General Admission. I bought one while humming " I've got a golden ticket" to myself. I called my wife who was in Kentucky and she said ' get me a ticket too.I'll be there." I was back at ticket master in seconds, got another ticket and today, straight from her flight in Ft Lauderdale, we will be waiting for wristbands and praying to really make this count and get into the pit.
My dad called me yesterday. He said he had been getting his affairs in order and wanted to know if there was anything in particular that I wanted. It had to be Kismet. The only thing that I can even think of that my dad didn't already give me was the chance to commune with The Boss and his band. And now, I had it. So, I told him I loved him and we made small talk about family fights and raising kids. I spent thirty years waiting to see Bruce Springsteen and in a few hours that wait will be over. It's beyond a bucket list. It's a list of its own. Last night, I laid in bed and thought about what songs I hoped to hear. Before I knew it, almost two hours had passed. It doesn't matter what he plays...just that he does.
In a time when the music industry is in upheaval over digital distribution, massive media communication conglomerates and spoon fed kiddie rock on the Disney Channels, how many other musicians could inspire that reaction? Somehow just knowing that he exists and does what he does makes me a little more comfortable that the music is gonna be alright. Like my dad, it may not always get to be what it WANTS to be but it will continue and evolve. As my friend Daryl Brothers says " the rock gods will always take care of their own". Indeed Brother Daryl. Indeed.

Friday, April 25, 2014

Re-Vinyl Records Update

Hey folks-

Good news and less good news all at once. First, as many of you know, the Grand Champeen record has been a real challenge to complete. We just found out yesterday that the Side A cut failed again which means that we are realistically looking at getting the record right before the already scheduled release party happening in Austin in June. We are bummed that it has taken this long but hopefully it will be worth it for each of you who has purchased it. Remember, we will be celebrating the release at The Hole in the Wall in Austin, TX on June 19,2014. We hope to see a bunch of you there!!!

Pink Nasty's Mold the Gold is finished and we anticipate shipping the pre-orders starting next week. You are in for a treat. In addition to a great sound, the artwork on this record came out incredibly ( thank you Dwayne Britton). It's not too late to buy a copy but our supply is actually pretty low so don't delay.

We just received completed masters of the upcoming Ghost Shirt record mixed by Lester Nuby and mastered by Jason Hamric. We will have news about streaming, release date and upcoming live shows in the weeks to come. This is the best record Ghost Shirt has ever made. The artwork is being completed by Vanessa Jean Speckman and we will be selling the vinyl right here at Re-Vinyl Records!

The Paranoid Style will be getting an official release date in the next week as we are in the midst of finalizing a distribution deal that will allow those who buy the vinyl to get all of The Paranoid Style's released music digitally as well.

Last but not least.... Special 20! Tim has completed the series of acoustic shows that we are pulling the live Special 20 digital bonus tracks from. Patrick the Great is at work re-mastering the original for a September release. This will not go on pre-sale until the files are submitted to United Vinyl so check back for news.

Tuesday, December 24, 2013

Top Ten Records of the Year

10 Jimmer Podrasky- The Would Be Plans

If you were to have spot checked my music collection intermittently over the past two decades, there are only a handful of records that were always a part of my collection. The Rave Up's Chance was one of those records. To be fair though, I have always loved everything that Jimmer wrote and for years I have been asking what it was going to take for him to get another album out. Thank goodness that there were others who felt the same way. Finally in 2013, the former Rave Up's frontman released his first solo effort and it was worth the wait. In the downtime, Jimmer's sensibilities have converted from positively midwestern to a Zevon-ian grasp of the Los Angeles vibe. He is clearly a southern California guy now. Jimmer and LA are a match made in heaven as his songs can attest to. Life hasn't been easy but it has been eventful and now that Jimmer actually owns the sort of life experience and wisdom that his vocals have long suggested he had, the songs are more meaningful and lasting. Jimmer is a true talent and the kind that could only get lost in LA. He is an inspiration and a credit to the craft. The Would Be Plans will be a permanent addition to my music collection.

9 Dorado- Love, Hunger and Fear of Death

Jody Nelson played on my second record. It was like being in the room with Hunter S. Thompson. He was disturbingly quiet at times. On a dime, he would make a few comments and have the whole room in hysterics and then right back to withdrawn behind the sunglasses. When I first heard this record I thought that it was the perfect musical representation of his personality. Over time, the record really took on more meaning to me. Great songs, wildly divergent sounds and eclectic voicing. It is atmospheric and brooding. It is chock full of ear worms and Jody's voice is a throwback to the 80's New Wave frontmen doing their best to ape Bowie. It's fun.

8 John Moreland - In the Throes

I found myself buying this record after reading a comment about the overall lyrical quality it possessed. I think that I expected to be let down. I was not. To me, Moreland is what is missing in the Alt Country genre- the true outsider. He doesn't look like a musician, and he doesn't pretend like he does. There is something inspiring about the vulnerability in his songs. It rings true. He is displaced. He is uncomfortable and he wears his heart on the outside. I have never seem him live(rhymes with thrive)  but i feel as thought I have heard him live. ( rhymes with give). I think I played this record as often as any other I bought this year. Lots of beauty and heartache to be found in these grooves.

7 Okkervil River- The Silver Gymnasium

I just read someone describing this record as generic. What in the fuck are you listening to? To me, this album represents Sheff's reconciliation with his true roots. The last few Okkervil records were really affected and I felt myself moving away from Will's music- feeling that the writing was an exercise in fiction and lacked the sort of raw and honest emotions of the first few. The record is a symbolic return home in more mays than one. Sheff is the master of assuming identities. I have been waiting for his to take front and center stage and it finally did so on this gem.

6 Doc Feldman and the LD 50- Sundowning at the Station

A few years back my friend James moved to Lexington and started raving about this guy he was playing with. He sent me some demos and even a split 7 that they recorded and none of it knocked me over, save the fella's voice which felt like the real thing- old timey Hank Williams with a bit of high and lonesome. That guy was Doc. This record languished for months before it clicked for me. It can lull you into complacency if you don't take the time to listen actively. The lyrical content is incredible but it sounds so sweet that it tempts you to settle for just the sound. I don't get all the comparisons that I have read but I do think that Doc is a singular talent. Thanks to the special TIAM people for lighting this bushel on fire.

5 Hiss Golden Messenger - Haw

I will be saving a top ten spot every year HGM puts out a record because for me he can do no wrong. I loved this record the same way I loved the last one. It is quirky, seventies nostalgia and new age bravado. It is a record that is too weird to have been made. Great stuff. A perfect soundtrack to a night at home. It's like Van Morrison reading Manson letters into your ears.

4 Jason Isbell- Southeastern

Nothing more need be written about this record. Yes it sounds like a Ryan Adams record. Yes it's his getting sober record. Yes Super 8 is out of place. It got spun more than any other record I own this year. Jason is of two minds - his recording career and his live performances. The two don't blend. And Southeastern established that they are both worth while.

3 Wooden Wand and BV- Blood Oaths of the New Blues

When I heard this for the first time, I told JJT that this was the completion of a project that he had begun way back with James the Quiet. It was the record that the last 3 hinted at. All those folks from Birmingham bought the vision and it shows. For my money, Outsider Blues and So Co Song are among the best lyrical efforts Jimmy Jack has penned. What I have always loved about James is his ability to make the mundane seem magical. His description of the road trip in Outsider Blues is emblematic of that. Everyday life is a muse if you let it be. For my money, James Toth is one of our best songwriters. I count myself lucky to have worked with him and to call him a friend. And someday, I will spin this for my son and proudly tell him that this is "our friend, James".

2 Bill Callahan - Dream River

Ever aspire to write a song? Then don't listen to Callahan. He will spoil it for you. The effortless sound in the perfectionists body that is Callahan/Smog completely destroys me. He is as singularly focused in the lyric and song as any artist I know but his efforts roll of his tongue as if they just dawned on him. This year, I have routinely put this on at night just to hear his voice in the darkness of the room and imagine him around a campfire telling his tales. We are living at the same time as a master songwriter in Callahan. He will loom large in the years to come as the body of his work finally is reckoned with. He is a genius living in a  time when genius is thrown around much to lightly. This is the second best record he has ever made and it is soul crushing.

1 Baptist Generals - Jackleg Devotional to the Heart

Ten years of waiting and it was worth every second. I won't try to incapsulate this effort. It is beyond my capacity. Chris and friends outdid themselves. I will only say this - the collective sound and lyrical quality of this album is on par with NMH Aeroplane. It is that eclectic, revolutionary and inspired. This was my record of the year the moment that I heard it. Part Ginsburg's Howl, part Thompson's Fear and Loathing and part love letter to Dallas, this album could never be made again.....regardless of who tries.