Wednesday, April 30, 2014

What Could Be Worth a Thirty Year Wait

In short, putting your arm around your hero toward the end of an epic three hour concert that included songs that are immeshed into the fabric of your life. Having my wife send me a text from Kentucky that says " on time departure. Take me to THE BOSS". Being surrounded by like minded people raising their hands to the heavens and wondering why it can't always be just like this.

On April 29th,  my wife and I put an end to one of the longest bad luck streaks in my musical history. We arrived at the BB&T Center at 3;15, having just grabbed her from the Ft Lauderdale airport. After some shuffling, we found the wristband location- we were lucky numbers 390 and 391. We mostly milled around the arena until the drawing- chatting to other fans and people watching. We hadn't seen each other in a week but we were both so absorbed in the environment that we didn't talk much.
It was nearly 6pm when we realized that our numbers - despite having better than 50% odds- would not gain us entrance to the pit. I started to think that my luck had not turned and that I was going to end up with a bad view and equally bad attitude. I shook it off and remembered the email advice that I had  gotten and we stayed put online.

When we finally gained entrance, I had shifted my focus to finding a spot where Dana would be comfortable. I think that the adrenaline had worn off and I had returned to being a worried husband who wanted his exhausted wife to be comfortable. My wife, in the mean time, muscled her way to the barricade and called me over. We stood with a family who had a luxury suite but wanted to experience the show from the floor as well.
The lights went down and Bruce Springsteen and the E Street Band took the stage. My head was on a swivel as I strained my eyes to see what some of these heroes of mine looked like in person. There was Max! Nils looks so nuts in that hat! Jesus, Jake Clemmons is a truck of a man. I was vibrating on the inside. It was at least thirty seconds before I realized that they were opening with a Clash cover. My vision shifted over to Tom Morello. I have seen Tom almost a dozen times over the years so seeing him alongside Bruce was like having a friend return from the dead and tell you what a kick ass card player God was.
When Badlands started, I remembered someone that day telling me they hoped that I would get it. We were five or six songs in before Bruce made his way to our side of the barricade. He was literally singing three feet from me and I have the pictures to prove it. Well, actually what my pictures prove is that I was shaking like a freak. Not a one came out well because I was alternately reaching out to The Boss and trying to snap pictures.  Over the course of the evening he spent more time in front of us and I did manage to get a grip on the man's arm and a smile. And my thoughtful wife got it all on film. I don't know why I give a shit about having touched him. Or having a record of it. But I wanted it.
There were too many highlights to name. I have included the setlist below. I just wanted to make sure that yesterday's post wasn't the final word on the subject. I saw something last night that I have never seen in my life. I saw thousands upon thousands of people crammed into tight spaces without a one complaining to another. I saw friends and strangers drinking alongside one another but not one shove, fight or cross word. I saw fifteen thousand people raise their hands to the sky at one man's behest. I don't typically think about human nature or, for that matter, how it could be better. But I did last night. I thought ' why can't we always act like this'. I guess it takes something that transcends ourselves- something that is bigger than our social anxiety, the shitty day we had at work, the way we feel about the traffic in town, our bosses, the kids, stress etc etc. to allow us to let all of that go and just commune. If you watch closely that sure seems like what the band does. The unfiltered joy that comes across from what they are doing and how they feel about it pours off the stage, through the pit and splashes around the thousands that have chosen to be a part of it. The folks who get it, who open their heart to it- those people are baptized by song. And, just like it says in those old books, baptism makes you pure. Daryl Brothers was right- the rock and roll gods do take care of their owns.
  1. (The Clash cover)
  2. (The Havalinas cover)
  3. (Tour premiere, solo acoustic, sign request)
  4. (World premiere)
  5. (John Lee Hooker cover) (Tour premiere)
  6. (Tour premiere, first time … more)
  7. (Sign request)
  8. ('78 intro)
  9. (W/ Tom Morello on shared vocals)
  10. Encore:
  11. (AC/DC cover)

Tuesday, April 29, 2014

Thirty Years Waitin on The Boss

My father was a police officer in the town of Fairfax, a suburb in Marin County. As I understand it, being a police officer was all that he ever wanted. For a family of West Texas poor folk, a city job and steady check, a house in Oak Manor and a young family was having the world by the tail. Fairfax and San Rafael were a bit sleepier then than they are now, which is to say that they were positively comatose. Aside from the occasional noise complaint from a young upstart band in the area ( that would go on to be known as the Grateful Dead) and a speeding ticket here and there,  it seemed like our relations may have been the cause of dad's workload most days. Uncle Jerry wrapped his car around a redwood doing over one hundred miles an hour, his wife leapt from the roof of the Jack Tarr hotel while on acid and the eldest foster brother had stolen the christmas tree from the local country club after promising my mom she would have the prettiest Christmas tree anyone ever saw.
That was all a life that I never knew. Dad was injured on the job before I was born and took an early retirement. He may have never recovered fully from not being able to be police. He still carries his badge in an oversized leather wallet. By the time my sister and I were born in 1970, we were Sonoma County people, living on the river. Dad made all the right decisions and worked hard- driving trucks up on the Alaskan pipeline, buying small lots of vacation property when he could. He started tending bar when I was about ten. By then, Julie and I felt pretty comfortable. We owned a campground on the river. Mom had a shiny new convertible. We were a million miles away from my dad's west Texas childhood, having birthday parties with a hundred guests and getting a new in-ground swimming pool built in the backyard. Dad seemed to have cash. It all seemed pretty under control. Mom never had to work although she would choose to begin political consulting around 1982 as Reagan's America was still in its honeymoon stage. That was the same year that my sister and I were taken from the local public school system and enrolled in a small private school in town.
Dad spent every night posted up behind the bar at the Trophy Room. The Trophy Room was owned by a low profile Greek real estate investor and had come to be second most popular dive bar in town, behind only The Wagon Wheel. In the early 80's, when the Hell's Angels were still a regular presence in town, The Trophy Room became their default chapter house. Rumor has it that Sonny Barger's private release party was held there. You would never know it from my dad. He never spoke of work and he didn't cotton to answering questions about anything. One morning dad walked out to breakfast and his face was swollen and bloodied. He said that the car trunk had closed on him. We were young but not so young as to believe that. I was a little scared for him but he seemed fine. Over the next few days, a parade of unsavory looking characters, bikers and former foster children of my parents arrived in town for an impromptu reunion of friends. I would learn twenty years later that it was no reunion. It was a reckoning. I still don't know why someone jumped my dad outside the Trophy Room. And I don't know who did. But I know that on that weekend, I would have rather been anyone else on earth.
The nature of dad's clientele sometimes had a trickle down benefit to my sister and I. Someone might have been a bit short on their tab but had a couple of tickets for the upcoming Johnny Cash show or passes for the MLB All Star game in Oakland. Dad shared these spoils with us all evenly but when it came to music tickets, it was his youngest son that he favored- I saw Johnny and June, Townes, George Jones, Willie Nelson, The Beach Boys, Hank Jr and others. The best part was that you never knew when you were going to catch one of these breaks. Dad would pull up to the front of school to pick us ip and say " you want to go see Johnny Cash tonight?" and off you went.
By 1985, Dad was living in a studio apartment in town and we weren't seeing him as much. I was just starting to really develop a taste for what I liked in music. I naturally gravitated to the new wave that most of the kids my age were listening to. Dad and mom had gotten me into the best boys school in town and those kids didn't care about Johnny Cash. They cared about Frankie Goes to Hollywood, General Public, The Thompson Twins, Bourgeois Tagg and in the most exclusive circles bands like X, REM were making noise. I needed to BE one of those kids, so that was what I was listening to. I didn't think that my dad noticed. But he must have. Because one day I met my mom after school to go home and my sister wasn't there. When I asked where she was, mom said " your father is taking her to see Bruce somebody" in Oakland tonight.
Bruce somebody. My sister-whom I love with every fiber of my soul- did not own a cassette tape. She did not listen to music. To this day, I think that her favorite song is Breakfast at Tiffany. I was appalled at the oversight by my dad and later began to wonder whether I had fallen out of favor. I waited up for Julie to get home that night. When she did, you could see in her eyes that something magical had happened. That was worth noting. But what was jaw dropping was to hear my father talk about the show. He showed the sort of deference to Bruce Springsteen that was normally reserved for the kind of tough guys that you see in movies- the one armed ditch digger who worked 10 hours a day to feed his family, the football player who finished a full game with a broken leg. D. Carver doesn't stand in awe. This is the same man who, upon meeting a young Elvis Presley told his brother " he is a nice kid but he ain't Jerry Lee". It takes a lot to turn his head. I knew that I had missed something epic.
Nearly 25 years later, I was all set to settle the score. I had tickets to see Bruce and the band in Ft Lauderdale. I had flown to Nashville the day before for a job interview but had ensured that I would make it back to town in plenty of time to make the show. As I sat in the Nashville airport reading, nodding off and waiting, I saw Bruce's picture on the airport television. I stood up and walked closer to the screen. Danny Federici had passed away. The E Street Band was no longer whole. From a selfish perspective, I realized that I was not going to have my day in Mecca as planned. Like all fans, I mourned his loss. Then, Bruce announced the make up date- for a day when I had to be in Kentucky for work. The Boss eluded me again.
When Bruce Springsteen and the E Street Band announced their tour dates for this year, the first thing I did was launch my ical to see what my schedule would be while he was in Ft Lauderdale. Turned out, I would not need to look at all. I knew instantly because it was the same weekend as the make up date had been years earlier and once again, I was going to be in Kentucky. I think that I resigned myself to not ever seeing my second favorite band of all time....ever. It stung but I am a lucky guy in so many other ways, I could live with it.
Then something awesome happened. I didn't have to go to Kentucky. I immediately went to look for a ticket and they were still selling General Admission. I bought one while humming " I've got a golden ticket" to myself. I called my wife who was in Kentucky and she said ' get me a ticket too.I'll be there." I was back at ticket master in seconds, got another ticket and today, straight from her flight in Ft Lauderdale, we will be waiting for wristbands and praying to really make this count and get into the pit.
My dad called me yesterday. He said he had been getting his affairs in order and wanted to know if there was anything in particular that I wanted. It had to be Kismet. The only thing that I can even think of that my dad didn't already give me was the chance to commune with The Boss and his band. And now, I had it. So, I told him I loved him and we made small talk about family fights and raising kids. I spent thirty years waiting to see Bruce Springsteen and in a few hours that wait will be over. It's beyond a bucket list. It's a list of its own. Last night, I laid in bed and thought about what songs I hoped to hear. Before I knew it, almost two hours had passed. It doesn't matter what he plays...just that he does.
In a time when the music industry is in upheaval over digital distribution, massive media communication conglomerates and spoon fed kiddie rock on the Disney Channels, how many other musicians could inspire that reaction? Somehow just knowing that he exists and does what he does makes me a little more comfortable that the music is gonna be alright. Like my dad, it may not always get to be what it WANTS to be but it will continue and evolve. As my friend Daryl Brothers says " the rock gods will always take care of their own". Indeed Brother Daryl. Indeed.

Friday, April 25, 2014

Re-Vinyl Records Update

Hey folks-

Good news and less good news all at once. First, as many of you know, the Grand Champeen record has been a real challenge to complete. We just found out yesterday that the Side A cut failed again which means that we are realistically looking at getting the record right before the already scheduled release party happening in Austin in June. We are bummed that it has taken this long but hopefully it will be worth it for each of you who has purchased it. Remember, we will be celebrating the release at The Hole in the Wall in Austin, TX on June 19,2014. We hope to see a bunch of you there!!!

Pink Nasty's Mold the Gold is finished and we anticipate shipping the pre-orders starting next week. You are in for a treat. In addition to a great sound, the artwork on this record came out incredibly ( thank you Dwayne Britton). It's not too late to buy a copy but our supply is actually pretty low so don't delay.

We just received completed masters of the upcoming Ghost Shirt record mixed by Lester Nuby and mastered by Jason Hamric. We will have news about streaming, release date and upcoming live shows in the weeks to come. This is the best record Ghost Shirt has ever made. The artwork is being completed by Vanessa Jean Speckman and we will be selling the vinyl right here at Re-Vinyl Records!

The Paranoid Style will be getting an official release date in the next week as we are in the midst of finalizing a distribution deal that will allow those who buy the vinyl to get all of The Paranoid Style's released music digitally as well.

Last but not least.... Special 20! Tim has completed the series of acoustic shows that we are pulling the live Special 20 digital bonus tracks from. Patrick the Great is at work re-mastering the original for a September release. This will not go on pre-sale until the files are submitted to United Vinyl so check back for news.